![]() ![]() ![]() ![]() If you have specific questions or would like a PDF version, feel free to contact me and I'll be happy to assist. Included are essential time-saving tips, FAQs and useful external links. The following guide is meant to help users get up and running with a basic understanding of how to best use the PC3K in musical theater. I still contract for Kurzweil R&D part time as a sound programmer and I'm also a dealer for their US sales division. ![]() Now I work on Broadway and around the world programming the PC3K on productions like Phantom, Evita, School of Rock, Mary Poppins, 42nd Street and Les Miserables. It's more stable and reliable than software and boots up much more quickly - in about 20 seconds. While I do use software instruments on my shows, the PC3K is the "brains" of the rig, handling patch changes, pedals and about 50% of the sounds. Together with Kurzweil's R&D team we came up with the PC3K8, an 88-note workstation with the sounds, programmability and flexible MIDI control required by major MT productions. They were asking for a new keyboard based on the PC3, specifically geared toward musical theater work. Back in 2010 when I worked for Kurzweil R&D full time I was contacted by Andrew Lloyd Webber's team. ![]()
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